2,829 Royalty-Free Audio Tracks for "The Set"

This is the sound of my alarm clock beeping. In my opinion, it's one of the worst alarm clock sounds in the world, with a horrible, grating alarm sound. Sorry about the part where i yell at my crew, and the dialogue about the shower curtain. Also when i say "yeah, bitches. " it had been a long day on set.

Recording of traffic passing overheard, underneath a bridge spanning the bow river, in banff, alberta, canada. A car passes from right to left 1/3 of the way through the recording. Recorded during winter. Snowy and cold. Recorded using the h2n zoom recorder on the m/s raw setting. Decoded to stereo.

Traffic recorded from a balcony of an apartment building near a busy avenue in ottawa, canada. Recording setup:. - device: zoom handy recorder h1 with xy-capsule- low cut: yes (80hz)- auto level: off (set to 50)- rec format: stereo 16-bit/44. 1 khz wav.

A soundscape of an august summer field bordered by thick woods. Note the cool sound of a bee buzz fly-by at 5 seconds into the recording. Recording made with: (1) marantz pmd661 modified by oade electronics. (2) samson co2 matching stereo microphones placed on a microphone stand about3 feet above the ground. (3) record volume set on 7.

Looped files and added header informations for the files from saif sameer pack "sy99 afm fm waveform operators" https://freesound. Org/people/saif_sameer/packs/31288/. Looped sounds, added header infos loop settings, root key, key range, velocity range, tune and gain. Thanks for sharing sameer!.

Acoustic drums playing a groove reminiscent of abba's dancing queen, but at a slower tempo, 94bpm. Recorded with a zoom h2n in xy configuration slightly behind the drum set throne. Drums are yamaha stage custom (birch wood shells), except for the bass drum (a 16x12 inch kick from a millenium youngster kit).

Es ist ein Ros entsprungen, Gotteslob (2013) 243; Gotteslob (1975) 132; Evang. Gesangbuch 30

An answering machine, with the message set as "hi it's me. I'm out of town until monday. Just leave a message. ". Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).

We develop iphone app that perform musical analysis on recorded audio from the iphone. Our app implementation make use of the audio queue service to receive raw audio buffers from the audio queue callback. In the first version of our app we had the problem of too much clipping on the recording which degrade the accuracy of our analysis. We also suspected that the noise canceling algorithm in iphone 5 produce distorted sound, which is not much noticeable by human ear but distorted enough to affect our sensitive algorithm. We found that the solution to our problem is to set the audio session mode to kaudiosessionmode_measurement. This session mode is supposed to give maximum freedom for us to control the microphone input, which include turning off the automatic gain control and probably noise canceling as well. The solution works very well except that it introduce a strange waveform pattern in the beginning of all recordings in iphone 5. It is very hard to explain the waveform we get, so i made two recordings at freesound so that you can see it visually. The first recording is made in an almost quite environment, and you can see the weird spike in the beginning of the recording. The second recording (this recording) is made with constant background noise, and you can see that the actual sound wave is offset from the strange curve and gradually increase to its original volume. This waveform only happens on iphone 5 devices that we tested, and there is no problem at all for iphone 4s and older generations. We have tried various settings and the glitch is still unavoidable as long as we set the audio session mode to kaudiosessionmode_measurement. We also find similar glitch in one of our iphone 5 devices, in which the glitch happens even if we try to set just the input gain level without changing the session mode. We are not sure if this is a hardware-related bug in iphone 5, or if it is fixable software glitch in the future version of ios. For the moment we are looking for workaround that can avoid this glitch while automatic gain control and noise canceling are disabled.

Gewaltiger Herrscher im seligen Reich; Gotteslob (1975) Hildesheim 832; Gotteslob (2013) Kirchenprovinz Hamburg 775; Melodie nach Ist das der Leib, Herr Jesu Christ

Speedy pizzicato - like watching ants scurrying about. Life is not about how fast you. . . (ahem?) it's about how fast you pluck! in days of old etc. Anyway, it's rendered in reaper @48khz and markers are set for all those morphagene fans scurrying about out there. Enjoy!.

Changing aperture, rotating ring on old 35mm camera (konica). Recorded with rode nt1-a microphone on a zoom h5 recorder.

Making a cup of tea/coffee pouring hot water from a cistern into a mug, ripping open a sugar packet and stirring it in with a teaspoon. Recorded on an hhb flashmic drm-85-c cardioid as foley for a podcast introduction setting listeners at a business conference.

Mitten wir im Leben sind mit dem Tod umfangen (Evang. Gesangbuch 518; Gotteslob (1975) 654; Gotteslob (2013) 503)

Kommet, ihr Hirten; Evang. Gesangbuch 48; Gotteslob (1975) Hildesheim 816; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 735

Let us break bread together on our knees Kommt, wir teilen das Brot am Tisch des Herrn, Evangelisches Gesangbuch Bayern-Thüringen 579

Lobt Gott, ihr Christen alle gleich (Evang. Gesangbuch 27; Gotteslob (1975) 134; Gotteslob (2013) 247)

Sample of the doepfer a-110-1 rectangle output. Pulse width is set to around 50%, so it should roughly be a square wave. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.

My vcr rewinding a vhs tape. Sounds pretty gnarly at the end. Recorded with a jm27 into my zoom h4n. As a side note, this sound was a real pain to record. Every time i set up the mic, it seemed like the ac would come on, the dog would bark, or some other sound would ruin the recording. Whatever, i got it done.

4-ch surround field recording of the night-time ambience in my parents' garden, located between to streams in the south german odenwald mountain area. Clean, neutral forest and stream atmo for any purpose. Recorded in december 2013 with a zoom h2, these are the rear channels, mics set to 120° dispersion.

This carolina wren was braving a very cold, gusting cold front in early january. Recording made in a small midwestern town using my zoom h4-n recorder and its own internal microphones set at a record volume of 80. **note that since there were some strong north winds, you will hear the wind/roar in the background, but this wren just seemed oblivious to it. .

A set of variations of a scary soundscape. May come in handy if you find an alien artifact and you want to show it on youtube and need some acoustic colours for it. Entirely made on a pc with software. No mic or instrument used. Most of the software i used for this is available for free. Mainly used: antopya, chimera and the alchemy player. .

A fidgety drum and bass loop with a cowbell, a bunch of claps, shakers and tambourines, arranged in fl studio, run through fl studio's gross beat plugin, which was set to 1/2 speed slow, and this is what the original and the processed drumloop sound like combined.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Wind noise, made from several segments of white noise with different eq and flange settings, cross-faded to form one short loop. I probably used soundforge's accoustic mirror, but i can't remember for sure. This was inspired by;http://www. Freesound. Org/people/anton/sounds/2690/andhttp://www. Freesound. Org/people/erh/sounds/34338/. . . Two very good wind samples, in my humble opinion.

Wind noise, made from several segments of white noise with different eq and flange settings, cross-faded to form one long loop. I probably used soundforge's accoustic mirror, but i can't remember for sure. This was inspired by;http://www. Freesound. Org/people/anton/sounds/2690/andhttp://www. Freesound. Org/people/erh/sounds/34338/. . . Two very good wind samples, in my humble opinion.

Pack Up Your Troubles in Your Old Kit-Bag, and Smile, Smile, Smile is the full name of a World War I marching song, published in 1915 in London. It was written by George Henry Powell under the pseudonym of "George Asaf", and set to music by his brother Felix Powell. This is the version sung by Helen Clark.

Title Aleatoric Music with 5 pdsounds Artist stephan Original mp3 data Length:1:17 minutes (1.18 MB) Format:MP3 Stereo 44kHz 128Kbps (CBR) User tags aleatoric, Background, glum, lonely, Music, random, soothing Type Experiment PDSounds record number 268 Comment Aleatoric music made by randomly playing a set of 5 sounds of pdsounds.org Impression: lonely, empty, glum

Geh aus, mein Herz, und suche Freud (Evang. Gesangbuch 503; Gotteslob (2013) Ausgabe Kirchenprovinz Hamburg 865)Dich lobt, mein Gott, was du gemacht (Gotteslob (2013) Ausgabe Kirchenprovinz Hamburg 812

This is a recording i took in my back yard on the 4th of july 2014. There are the sounds of crickets as neighborhood fireworks being set off faintly in the background sounding almost like a war zone. The house is off a busy street, so there is also some traffic sounds. Neighborhood dogs bark at the fireworks faintly in the background.

An edited recording of crashoverride61088 on trombone, edited to sound like the teacher ms. Othmar from the peanuts series. Recorded with an at-4040, pro tools 10, and some light eq. The original sound (http://www. Freesound. Org/people/crashoverride61088/sounds/146933/) was edited in audacity to set a new sampling frequency and to change stereo to mono format.

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

White noise through s&h sampled at audio rate using neóni. Quantised sequenced in mimeophon and dpo using 0-ctrl. 1/2 signal through erbe-verb the other through mimeophon. 10 markers set. Rendered at 48khz 32bit for morphagene in reaper. Enjoy!.

O Mensch, bewein dein Sünde groß (Ev. Gsb. 76); Ich grüße dich am Kreuzesstamm (Ev. Gsb. 90); Jauchz, Erd, und Himmel, juble hell (Ev. Gsb. 127); Erhebet er sich, unser Gott (Ev. Gsb. 281)

O Heiliger Geist, o heiliger Gott, Evang. Gesangbuch 131 O Jesulein süß, o Jesulein mild, volkstümliches WeihnachtsliedMelodie nach Ist das der Leib, Herr Jesu Christ

O selige Nacht (Melodie Heinrich Bone 1858); Gotteslob (1975) Hildesheim 814; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 737 II

Freu dich, Erd und Sternenzelt; Evang. Gesangbuch 47, Gotteslob (1975) Hildesheim 813; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 741

German Church Hymn Gelobt seist du, Herr Jesu Christ (Gotteslob (1975) 560; Gotteslob (2013) 375Herr, nimm auch uns zum Tabor mit (Gotteslob (2013) 363 (Alternativmelodie))

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the sixth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fourth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Released in 1989, the ensoniq vfx synthesizer was ensoniq's early take on wavetables, called transwaves in ensoniqs' perlance. The machine was a digital six oscillator hybrid rompler and additive with several of the waveforms being wavetables. Modulation settings allowed you to scan thru the waveforms for evolving sounds such as this pad. The vfx-sd was much the same synthesizer, but added a sequencer.

Recording of a male slowly breathing in through his mouth which i made for a poetic video edit. 3 breaths in. 4 breaths out. Recorded with my rode ntg-2 on a tascam dr-40 at 96khz 24-bit. Cut in premiere pro and exported with same settings as recorded.

Recorded late summer/early autumn by a lake in rural ontario. I was trying to record the sound of six loons calling to each other, but was interrupted by an aggressive chipmunk who had decided that the lakeside was his and his alone. I recorded anyway. Recorded using an h2n zoom recorder, using the m/s raw setting.

Ambient recording of the 2nd exhibition level of the "museum der bildenden künste" (museum of art) in leipzig/germany. Voices can be heard in the far distance, along with the rythmic ticking of the hydraulically powered art-installation "heart of a mountain". This file is part of the sample-pack "muzeum"recording was conducted with a zoom h2 with the internal mics set to 90° dispersion.

2 finger snaps that can be used for anything. I made them for use in some of my music on my youtube/soundcloud, however because i'm so kind i uploaded them here to use in anyway. There isn't a set tempo or key, just 2 finger snaps that you can chop up, reverse, and do whatever you want with them!.

Thanks to cinematic-laboratories for the source from didge-morph. Wav and makenoise for their brilliant gear!. Morphagene settings slf full blue. Morph full cw shift controlled by tempo of o-ctrl. Mimeophon and erbe-verb used for final outputs. Rendering in reaper 48khz, 32 bit. Feel free to put in your own markers wherever you wish.

About fifteen people are talking and laughing in a courtyyard. Some french worlds intelligible. Lively atmosphere: those friends are meeting for a clandestine concert despite the curfew due to covid. This is a break between two sets. Britany, france, 2021. Recorded with zoom h2n,ms internal microphone decoded to lr stereostereo wave, 24 bits 48khz.

I created these sounds for a motioncomic i created called: kay and gojiah. . . I didn't create these sounds from scratch, instead, remixed stock sounds and fiddled with the settings until i was satsified. So, no need to give me credit. If you want to give credit for my remixing, then go check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

4ch-surround, wide angle field recording of the seaside at warnemünde on the german baltic riviera. Recording was conducted in october 2013 on a hotel balcony approx. 100m away from and 20m above the shoreline. Recorded with a zoom h2, these are the rear channels, mics set to 120° dispersion.